udging by past example, when a form of literature becomes associated with a particular place it's probably not going to be spoken of in the most flattering of ways. In the eighteenth century, Grub Street in London was famously associated with literary hacks and news writers – some of whom were probably perfectly good writers, though you wouldn't think it to hear some of the more respectable contemporary writers on the subject.
In Nigeria in the 1980s, the label "Kano Market literature" began to be applied to Hausa language popular fiction, also known as Littattafan Soyayya, or "love literature". These books, apparently, have often been condemned – for corrupting young minds, for being too heavily influenced by Bollywood, for being vulgar, or formulaic, or trivial. The usual complaints, in fact; particularly since this is now a field of literature dominated by women. Early critics of the novel made similar arguments (though maybe not the Bollywood one), and even now the same arsenal is regularly brought out to criticise the romance genre, another field dominated by women writers. Which isn't to say that some of these criticisms aren't true.
Indian publishers Blaft recently brought out Sin is a Puppy That Follows You Home, a translation by Aliyu Kamal of the soyayya novel Alhaki Kuykuyo Ne... by Hajiya Balaraba Ramat Yakubu.
At first glance, this is clearly a novel of wish fulfilment. Rabi is the virtuous wife of Alhaji Abdu, a prosperous man who despite his wealth hardly gives her enough money to pay for the household goods to feed herself and their nine children. Matters get worse when Abdu takes another wife, who fights with Rabi. Soon, Rabi and her children have been kicked out of the house with no means to support themselves other than the help that Rabi's and Abdu's horrified families can give them. Despite this, Rabi prospers, setting up a successful cooking business, sending her oldest son to college, and finding a wealthy husband for her eldest daughter. Meanwhile, things rapidly go downhill for Abdu. His wife is unfaithful to him and his business fails when a fire in the market burns down his stall and most of his stock. In the end, destitute and remorseful, he is forced to come back to his wife, hoping that she will take him back.